Šćepanović's art integrates traditional techniques with critical reflections on contemporary society, focusing on themes of media manipulation, consumerism, and cultural spectacle. Inspired by Walter Benjamin’s concept of “auratism,” he aims to reclaim art's uniqueness in an age dominated by mass production and digitalization. His paintings often feature "destruction and destructivity" to challenge societal norms and evoke a deep emotional response

Šćepanović is a prolific writer on art theory and media. His notable works include the book Medijski spektakl i destrukcija(Media Spectacle and Destruction), which critiques the intersections of media, aesthetics, and social systems. His articles on topics like media culture and memory in the digital age have appeared in respected academic journals(Vladislav Šćepanović…).

Rooted in personal and historical narratives, Šćepanović's art is shaped by the disintegration of Yugoslavia, providing profound commentary on socio-political realities. His approach blends the personal and political, making his work a critical reflection on modern challenges while preserving Serbian visual traditions